Portraiture is quickly becoming my favorite genre to shoot, lately I have been focusing myself more on controlled situations. As always, I am but a work in progress, but I like where this work is progressing.

To me, the hardest aspect of portraiture is controlling the situation. The night before a portrait shoot, when I set up my lights and test the various settings I will use the next day, the light is always good. The light can be reproduced. But throw in the subject as variable, and the whole equation becomes skewed. Now I am trying to maintain a dialog with a person I have just met while recreating the perfect light of the night before. I worry that my conversation sounds superficial, while I focus my attention to the light. I worry my light will suffer, while I focus my attention to the conversation. I worry. And I hurry. And I stumble on the loose bricks I never bothered to notice, the night before, while I had that perfect light in my perfectly controlled test.

The question I face is not how to focus the camera, or what ratio to set my lights on. It’s not even how to extract that expression from my subject for which I am aiming, not how to control the people I shoot. No, for me the question becomes how to control myself.

These are a handful of recent portraits that I think worked.









Lately, I have been shooting regular daily coverage. So, while I try to find myself a project that interests me, I decided to put together a slideshow explaining how I approach my daily work, the life of a newspaper freelancer in Midwestern suburbia.

To see the series, click here or on the image.